![]() ![]() I will add depth to the curve by using these curve handles. You can also add a curve in vector shape so for that, i will select this rectangle then click on the ‘Object to path’ option of the Path menu and this will add curving nodes to this rounded rectangle.Īnd here I will take the Edit node tool again then make click on the line between the corner node and drag it in the downward direction and you can see there are curve handles. Take Edit node tool from tool panel then click on circular node point of the rectangle then drag it in outer direction by holding it for making the edge of this rectangle round. These points show that it is a vector shape because vector shapes have nodes through which you can edit that shape from that node. You can see there is point on the corner of this rectangle. Now i will take Rectangle tool or you can press R for it then make a rectangle. Now make one copy of it and place both of them like this. Press ‘Ctrl + (‘ again and again for having a smaller circle at the center of this large circle and then use the Difference option of drop-down list of Path menu for cutting a center circle from the outer circle. Now I will make a copy of this extra circle so select it then press the Ctrl + d button of the keyboard then make a smaller circle than this circle so go to the Path menu again and click on the Inset option of drop down list or press Ctrl + (. ![]() Then go to the Path menu and click on the Difference option of the drop-down list or press Ctrl + – key of the keyboard.Īnd the small circles will cut from the large circles.ĭo the same with another circle that means select small and large circles and click on the difference option of the Path menu. Then make an extra copy of this small circle then select one small circle and a large circle with the selection tool by holding the shift button of the keyboard. I will make a circle like this then make a copy of it by pressing the Ctrl + d button on the keyboard.Īnd drag it to the next crossing point of the other two guidelines with the help of the Selection tool. If you have a snapping option enable then it will automatically snap the mouse cursor to the crossing point of guidelines. Now i will make a small circle at the cross point of these two guidelines. ![]()
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![]() ![]() ![]() Since there were a significant amount of credible people who worked on this film, you can probably contact some of them and verify that the following statements are, in fact, true and not exaggerated.m And since Tattoo happened so fast, I wanted to document some of the parts I still think about before I begin to forget them. ![]() This posting is meant to produce an accurate timeline of events in order for people to better gauge turn-around times, as well as offer technical information in order to help people make informed decisions about production and post production workflow. The other issue that seems to have come across my desk a half-dozen times in the last 4 months is the notion that “Epic does not work and there is no workflow.” Rather than point out who is making these statements or discuss who is right and who is wrong, I felt that the best contribution I could make is to simply discuss exactly how the Epic “Tattoo” film was made from my perspective. This issue is a common topic amongst filmmakers and post production circles, as well as a frequent topic with online discussion forums. Over the past 4 months, I have noticed that discussions regarding a change in traditional post production DI pipelines have been on the rise. On Monday, April 11th, RED Digital Cinema debuted the Epic short film, “Tattoo” in 4K at their NAB booth in Las Vegas. When it was introduced, viewers were told “10 days ago, what you’re about to see didn’t exist.” This couldn’t be more true… ![]() |
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